'Mulholland Drive' review

If you don’t know who David Lynch is, stop reading now and google him.

David Lynch directed and wrote the 2001 film Mulholland Drive (or Mulholland Dr.) after already having success with his previous films, Eraserhead, Blue Velvet, and the Twin Peaks television series. For the film Mulholland Drive, it was originally set to be a spin-off based on one of his characters from Twin Peaks. However, executives decided against it. Lynch’s style is very artistically different from most creators. The film’s meaning has been left up for various interpretations, even the cast has no clue what the film truly meant.

Mulholland Drive is about a woman, who after being in a car accident, is left with no memory. In order to figure out what happened to her, she joins forces with an inspiring actress. It’s really difficult to explain the plot of the film because there is so much going on all at once. There is a subplot, a cowboy, a mysterious blue box and doppelgangers? What? In order to explain the film, I have to discuss the dream aspect of the film. The film, in my opinion, is a dream. The aspiring actress, Betty, falls into a deep sleep (not completely sure if it is drug-induced or not) and she embarks on a journey in her dream, in which everything is sort of perfect for her. She has an amazing audition and begins a relationship with the amnesiac, Rita. However, when “Betty” wakes up from her slumber, reality is kicked in and she is actually “Diane” and her lover in her dream is actually her ex-girlfriend, Camilla. Diane is an actress, but not as successful as her ex, Camilla, who has a relationship with her but then later dumps her for her bigshot director, Adam. Diane, who put out a hit on Camilla, because she is angry with her, has to deal with the consequences of her action. Camilla, who is now dead, makes Diane feel completely distraught and because she cannot deal with her actions and the guilt overwhelms her, it leads to her suicide.

The film does an excellent job at exploring identity through the form of doubles. Betty is the ideal version that Diane wants to be and everyone else in her dream state is who she prefers them to be. She manipulates this in her dream and becomes so involved in it, that she nearly loses herself. This is very similar to Lynch’s other film, Inland Empire. The overall message that I believe that Lynch is trying to offer is that as much as you try to change the past or make yourself the perfect version that you want, perfection is not real. He exposes the sad part of relationships and Hollywood. Hollywood can change someone and make them better or worse. It requires good morals and strength in order to stay true to yourself. Diane was unable to face her fears and guilt, which led to her breakdown.

'Blue Velvet' Review

Imagine this: Sauntering to the melodic, haunting voice of Lana Del Rey’s cover of “Blue Velvet”. Tiptoeing through a fog of red light, into the mysterious… psychedelic… disturbing world of David Lynch. Do not walk, but run.

David Lynch is notably known for his cult classic television show, Twin Peaks, which only lasted two seasons (but is returning soon at high demand). He directed many neo-noir films such as Mulholland Drive and Blue Velvet. He tends to use violence in his work, but transforms it into an esoteric, or surreal visual.

In Blue Velvet, a young man Jeffrey Beaumont (Kyle MacLachlan) comes home after his father becomes ill. He finds a detached ear in a field and he decides to work with the town detective's daughter Sandy Williams (Laura Dern) to figure out what happened. The ear guides Beaumont on an investigation, which leads him to a sensual, mysterious nightclub singer (Isabella Rossellini) and a group of psychotic men who have taken her child. Beaumont tries his very best to solve the mystery and help the woman, but is also caught in her situation. It is difficult for him to part ways, when he is deeply attracted to her.

In the film, it opens up with the title sequence, against a blue velvet background and haunting, spine-tingling instrumental music. It cuts to the soothing song “Blue Velvet”, which is the film’s theme song. The viewer sees red roses, a man smiling and waving on an electrical plant truck, accompanied by his dog. It later transitions to yellow tulips, children crossing the street heading to school, and then a house with a man watering his lawn. The music continues as the scene cuts back and forth between a woman inside the house watching a mystery film and the man watering his lawn, who suddenly has a stroke. A dog and a baby approach the man as he lays on the ground, struggling for help. Then the music becomes creepy and eerie as a close up of the grass follows a pile of bugs.

Cut to the end of the film, where a similar sequence happens. In this case, Jeffrey, Sandy and her mother are in the Williams’ kitchen looking at a bird sitting on the windowsill with a bug in its beak. Sandy asks, “It’s a strange world, isn’t it?” with no one answering her. The beginning sequence of the film is repeated, however it is shown in reverse order: yellow tulips, man with dog on passing truck, red roses… and finally a little boy running towards Dorothy, who is reunited with her son. The look on her face indicates that she is finally at ease and happy to be with her son, but there is also a sad look to it. The film closes with the last line from “Blue Velvet”, echoing “And I can still see Blue Velvet through my tears”. Which could mean that although Dorothy is safe and with her son, she still has the painful memories of the events that occurred.

I believe the film opened like it did to show in almost a sarcastic way how at peace and cheerful the town looked, but little do the residents know that there are ominous events happening. Not everyone is happy, or every situation is good, and the beginning shows this. The ending is just a repeat in reverse form but altered because it actually is a happy ending, though it raises eyebrows in which, “Is everything really okay? Is David Lynch just messing with us again? Will Jeffrey find another ear?” these are questions that some might ask, but they are unnecessary because at the end, it closed without having any loose ends.