Tuesday, November 1, 2016

'Blue Velvet' Review

Imagine this: Sauntering to the melodic, haunting voice of Lana Del Rey’s cover of “Blue Velvet”. Tiptoeing through a fog of red light, into the mysterious… psychedelic… disturbing world of David Lynch. Do not walk, but run.
David Lynch is notably known for his cult classic television show, Twin Peaks, which only lasted two seasons (but is returning soon at high demand). He directed many neo-noir films such as Mulholland Drive and Blue Velvet. He tends to use violence in his work, but transforms it into an esoteric, or surreal visual.
In Blue Velvet, a young man Jeffrey Beaumont (Kyle MacLachlan) comes home after his father becomes ill. He finds a detached ear in a field and he decides to work with the town detective's daughter Sandy Williams (Laura Dern) to figure out what happened. The ear guides Beaumont on an investigation, which leads him to a sensual, mysterious nightclub singer (Isabella Rossellini) and a group of psychotic men who have taken her child. Beaumont tries his very best to solve the mystery and help the woman, but is also caught in her situation. It is difficult for him to part ways, when he is deeply attracted to her.
In the film, it opens up with the title sequence, against a blue velvet background and haunting, spine-tingling instrumental music. It cuts to the soothing song “Blue Velvet”, which is the film’s theme song. The viewer sees red roses, a man smiling and waving on an electrical plant truck, accompanied by his dog. It later transitions to yellow tulips, children crossing the street heading to school, and then a house with a man watering his lawn. The music continues as the scene cuts back and forth between a woman inside the house watching a mystery film and the man watering his lawn, who suddenly has a stroke. A dog and a baby approach the man as he lays on the ground, struggling for help. Then the music becomes creepy and eerie as a close up of the grass follows a pile of bugs.
Cut to the end of the film, where a similar sequence happens. In this case, Jeffrey, Sandy and her mother are in the Williams’ kitchen looking at a bird sitting on the windowsill with a bug in its beak. Sandy asks, “It’s a strange world, isn’t it?” with no one answering her. The beginning sequence of the film is repeated, however it is shown in reverse order: yellow tulips, man with dog on passing truck, red roses… and finally a little boy running towards Dorothy, who is reunited with her son. The look on her face indicates that she is finally at ease and happy to be with her son, but there is also a sad look to it. The film closes with the last line from “Blue Velvet”, echoing “And I can still see Blue Velvet through my tears”. Which could mean that although Dorothy is safe and with her son, she still has the painful memories of the events that occurred.

I believe the film opened like it did to show in almost a sarcastic way how at peace and cheerful the town looked, but little do the residents know that there are ominous events happening. Not everyone is happy, or every situation is good, and the beginning shows this. The ending is just a repeat in reverse form but altered because it actually is a happy ending, though it raises eyebrows in which, “Is everything really okay? Is David Lynch just messing with us again? Will Jeffrey find another ear?” these are questions that some might ask, but they are unnecessary because at the end, it closed without having any loose ends.

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