Thursday, April 27, 2017

'The Artist' review

In 2011, Michel Hazanavicius directed and wrote a black-and-white, silent, French film. The Artist is about the relationship of a silent film actor and an inspiring actress, as the transition from silent films to "talkies" becomes very difficult and unsuccessful for the silent film actor, as his partner becomes more popular than him and he is forgotten.
The film has some similarities to the 2004 film Eternal Sunshine of the Spotless Mind, which is about the beginning and end of a relationship as a couple has their memories erased of each other. In a scene in The Artist, Valentin and Peppy are dancing in a scene for one of his upcoming films. Although Peppy is only an extra, their chemistry is very clear to read. Towards the end of the film, when Valentin’s career is failing and he settles into a depression, his house catches on fire after he drunkenly lights a match onto his old films. However, when he is rescued from the fire, he is holding tightly onto a nitrate film. It is later revealed to be the film of him and Peppy dancing together for the first time.

In that scene of The Artist, it compares to Eternal Sunshine of the Spotless Mind because the main character, Joel tries to hold on to important memories of his girlfriend Clementine, even as he is having them erased. The idea of holding on to the past is a popular theme in both films. For Joel, he does it out of love, but for Valentin, it is because he is desperate and has nothing else. He is not familiar with talking films, so at the end, he is later forced to join the fad. Both films show that one cannot go back and change the past, but they can move on with their future. This is also a good example of nostalgia, as Joel and Valentin reminisce their past and it makes them feel more secured and in love, but with the nostalgia, there is always the presence of the future lurking around.

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