Thursday, April 27, 2017

'Mulholland Drive' review

If you don’t know who David Lynch is, stop reading now and google him.
David Lynch directed and wrote the 2001 film Mulholland Drive (or Mulholland Dr.) after already having success with his previous films, Eraserhead, Blue Velvet, and the Twin Peaks television series. For the film Mulholland Drive, it was originally set to be a spin-off based on one of his characters from Twin Peaks. However, executives decided against it. Lynch’s style is very artistically different from most creators. The film’s meaning has been left up for various interpretations, even the cast has no clue what the film truly meant.
Mulholland Drive is about a woman, who after being in a car accident, is left with no memory. In order to figure out what happened to her, she joins forces with an inspiring actress. It’s really difficult to explain the plot of the film because there is so much going on all at once. There is a subplot, a cowboy, a mysterious blue box and doppelgangers? What? In order to explain the film, I have to discuss the dream aspect of the film. The film, in my opinion, is a dream. The aspiring actress, Betty, falls into a deep sleep (not completely sure if it is drug-induced or not) and she embarks on a journey in her dream, in which everything is sort of perfect for her. She has an amazing audition and begins a relationship with the amnesiac, Rita. However, when “Betty” wakes up from her slumber, reality is kicked in and she is actually “Diane” and her lover in her dream is actually her ex-girlfriend, Camilla. Diane is an actress, but not as successful as her ex, Camilla, who has a relationship with her but then later dumps her for her bigshot director, Adam. Diane, who put out a hit on Camilla, because she is angry with her, has to deal with the consequences of her action. Camilla, who is now dead, makes Diane feel completely distraught and because she cannot deal with her actions and the guilt overwhelms her, it leads to her suicide.

The film does an excellent job at exploring identity through the form of doubles. Betty is the ideal version that Diane wants to be and everyone else in her dream state is who she prefers them to be. She manipulates this in her dream and becomes so involved in it, that she nearly loses herself. This is very similar to Lynch’s other film, Inland Empire. The overall message that I believe that Lynch is trying to offer is that as much as you try to change the past or make yourself the perfect version that you want, perfection is not real. He exposes the sad part of relationships and Hollywood. Hollywood can change someone and make them better or worse. It requires good morals and strength in order to stay true to yourself. Diane was unable to face her fears and guilt, which led to her breakdown.

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